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REFER TO THE FOLLOWING “Practically-perfect Analytic Paragraph Scaffold” as you draft your essay…
Are you starting to draft your assessment task essay?
Not really sure where to start?
Not really sure how to structure your essay?
Please use the following guides and scaffolds to help plan your essay.
2. Use the following Vocabulary Table – to help you integrate your analysis into your paragraphs:
Words to describe the TONE – which is created by the emotive language / allusions / onomatopoeia / assonance / alliteration in WILFRED OWEN’S poetry:
- Angered: made angry
- Antagonistic: angrily opposed
- Antipathetic: expressing antipathy, or aggression or aversion
- Belligerent: see bellicose
- Bitter: harshly upset due to resentment
- Caustic: cruelly angry, or sarcastic
- Embittered: made upset
- Enraged: violently angry
- Hostile: actively intimidating, unfriendly, or resistant
- Incensed: see indignant
- Indignant: angry because of a real or perceived slight or unjust attack
- Outraged: angry about an offense
- Rancorous: malevolently angry
- Vitriolic: see caustic
Perhaps… you might find this lecture more engaging?
Homework: Paragraph Question #2 – Due Thursday Week 7.
DULCE ET DECORUM EST By Wilfred Owen (1918)
THE DISTINCTIVE QUALITIES OF OWEN’S POETRY
The distinctive qualities of a text are the things that make it unique to that poet.
- Consider the concepts, values, attitudes and ideas of the poem
- Consider the language features favoured by the poet
- If you had a collection of poems from a variety of poets, how would you recognise the poetry of Wilfred Owen?
- What are the ‘distinctive qualities’ that would make his poetry stand out from the rest?
- Subject Matter
In his poetry Owen focused on the realities of conflict and its emotional and psychological impact rather than with any glorified trappings. His first hand experience gave authority to his depictions of war’s carnage, described in one of his letters home as, “the universal pervasion of Ugliness. Hideous landscapes, vile noises…everything unnatural, broken, blasted”. His didactic purpose was to expose the propagandist lies that enticed young men to enlist and to show how it dehumanized and brutalized them. He also tried to awaken the social conscience and public outcry as the only way to put a stop to the senseless butchery. Giving the eulogy at Owen’s funeral, Sassoon described him as a “poet of peace” who wrote of the “soldier’s experience” in ways that could “be used in times of peace to understand human nature.
His poetry is rich in imagery and symbolism which creates repulsive, haunting images of death and suffering. Biting satire and sensory and nature imagery are used to mock traditional concepts of honour, glory and the heroic ordeal. Imagery relating to weather, flowers and the sun are also given different connotations alongside those of death, blood and suffering. Nature is presented as both a benevolent force as well as one that rages in fury against soldiers on the battlefield or freezes them into eternal sleep as found in Futility. Owen disorients his readers, denying them the opportunity to remain passive in the face of what is being revealed.
His imagery is also often associated with the passage of time, “hour after hour”, or of night and day, “this morning”, or with references to sunlight and dark, dawn, twilight and dusk. Such references give a temporal context to his subject. Colour imagery is also used with dramatic impact. Red and crimson become representative of blood, slaughter and death while by contrast, yellows and gold are more commonly equated with nature, warmth and life. The negativity often associated with white, grey and black in turn helps define the emotional emptiness and suffering of war.
…to be continued….